Brook Preloader

asterisk* is a boutique agency working with film professionals to get their projects made & seen

VICKY MIHA

Consultant & Producer

Vicky has been working as a producer and film consultant for the past 10 years. In 2017, she founded asterisk* and since then she has collaborated on over 200 projects on development, financing and marketing strategies. Her film credits include films such as DOGTOOTH by Yorgos Lanthimos, MODRIS by Juris Kursietis and OSCURO ANIMAL by Felipe Guerrero. Vicky is a member of the EAVE and Eurodoc Networks and studied Journalism and Media in Greece and Film Producing at the Sheffield University in the UK.

HERMIONE EFSTRATIADOU

Film Marketing Executive

Hermione began her journey in cinema as an intern at Thessaloniki Documentary Festival and she continued working at Thessaloniki International Film Festival as a staff member. She is a Locarno Industry Academy alumni and she has worked as a Director’s and Producer’s Assistant. Currently, she works as a Film Marketing Executive. Hermione graduated from Aristotle University in 2017, where she studied Journalism and Mass Media.

KONSTANTINOS FRANGOULIS

Art Director

Konstantinos has designed artwork and localised marketing materials for the cinema industry, for both independent and studio feature films (Sony Pictures, Disney, Relativity, Marvel). He works as a senior art director for the advertising industry with a number of awarded projects (Epica Awards, Ermis Awards, EVGE Awards, Cannes Young Lions, Effie Awards). His work includes all promotional material design, activation ideas, adaptation of studio materials and a wide range of original designs. Konstantinos studied Multimedia Technology in Scotland, where he majored in Graphic Design.

ALEXANDRA DIRANI

Translator & Proof Reader

Alexandra has studied literature, film and writing in London and Oxford. As a native English speaker, she has worked as a writer, script editor, proofreader and translator. She has written 7 short films and is currently developing two feature films. She believes in writing narratives for social profit, as well as entertainment.

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